I just returned from a fantastic and inspiring trip to South America where I soaked up the music and cultures of Brazil and Peru. During my time in Brazil I stayed in the city of Salvador, the center of Afro-Brazilian culture. Salvador is home to the world famous Olodum drum corps and the rhythmic martial art of Capoeira, in addition to a flourishing live music scene with all sorts of styles and influences. I also had the fortune of arriving at island paradise Morro de São Paulo (a two hour boat ride south of Salvador) in the midst of the Festival de Primavera, a giant Brazilian music festival. In Peru I was excited to finally get my hands on a genuine charango, a pan flute, and a peculiar rhythm instrument made from goat hooves. I used all of these instruments and influences in putting together a short new cue that you can hear simply by viewing the intro animation to my main site.
This trip was been the most recent highlight of what has already been quite a year. Started off with two trips to Seattle to record live orchestral tracks, and watched films I’ve scored make splashes big and small on the festival circuit. Latest is “Bygone Behemoth,” which has already been selected to play at over 10 festivals after premiering at South By Southwest this past March. In addition to widespread play, the animated short has been racking up awards like “Director’s Award for Best of the Festival” at Trimedia Film Festival in Colorado, “Best Narrative Short” at Animation Block Party in New York, and “Best Film (Purple Monkey Award)” at the Stop Motion Magazine Film Festival in Los Angeles. In related news, “Andheri” has won another award, “Best Foreign Film,” at the Burbank International Film Festival. That brings the total for Andheri to seven awards and over 40 film festival selections. Finally, the 50 minute documentary “No Way to Say Goodbye” has its first screenings coming up at Florida’s Palm Beach Jewish Film Festival in December and the Skirball Cultural Center in Los Angeles this coming January.
I’ve got new projects on the horizon – including more orchestral recordings – but nothing I can divulge just yet. I look forward to sharing more soon.